Kina was not quite two years old the last time we went to Storm King—a sprawling Hudson Valley estate whose grounds are peppered with the kinds of massive outdoor sculptures that only seem to fit on sprawling Hudson Valley estates. At the time, she was roughly two feet tall. Mark DiSuvero’s Frog Legs, positioned at the top of a hill at the entrance of the museum, is, by contrast, roughly twenty-seven feet tall. Back then, before the pandemic, potty training, and much of her capacity for speech, she paid it little mind.
I have a theory, informed by this observation, that we tend to ignore things that are thirteen times larger than ourselves. Seven story buildings, for example, are not particularly interesting to the average adult. Small children take school buses for granted. Rats pay us little mind. Somewhere between my height and fifty times my height, I cease to care.
Casual observations of Kina’s interest in outdoor sculpture suggests that her interest can in fact be piqued by objects and earthworks that are at least twenty-five times her size, including DiSuvero’s E=MC2, which Kina called “the big sword” when we revisited Storm King yesterday for the first time in three years. It crept to her attention as we tooled around the campus together on a rented tag-along bike—a normal grown-up bike towing the back half of a smaller kid’s bike. We had, when we visited the little rental shack by the parking lot, asked for a bike with a kid’s seat, but Storm King is apparently too sophisticated for babies, and the attendant shot us the uniquely and unconvincingly disappointed look of a salesperson who is about to offer you the opportunity of a lifetime. She brought out this centaur of a bicycle, a liminal being, like a polyp growing out of a coral reef, and Kina was absolutely sold.