When Kina was younger, she would hand me a little horse figurine and instruct me to “paint” her with it, pretending that it was a magical brush filled with all the pigments and textures necessary to produce a realistic unicorn, kitten, or dinosaur. She would not allow me to stop at the pantomime of just a painted face, but insisted that I also add fur to her arms and legs, hooves to her feet and hands, a long golden horn to the very top of her head, and a luxurious rainbow mane to the back of it. When I finished, I’d brush her off and send her to look in the mirror and admire my work, after which she’d return to the couch and demand I start over and make her into—I don’t know—an Octonaut.
Face painting was a tradition born of the lockdown, but it drew on a chance encounter with a little street fair in September of 2019, when she was not yet three. Behind the bouncy castle at the center of the fair was a little set of tables with people painting kids’ faces—a craft whose existence stunned Kina. Before her speechless eyes sat children being recast as anthropomorphic rainbows, radiant butterflies, pale ice princesses, and rainbow unicorns. She asked us to wait, but the line was long and the weather was still hot, and surely there would be another street fair in the spring of 2020, no?
As it turned out, there would not. What there would be, two years later, is a birthday party with a hired clown, four puppets, a box of magic tricks, and a little palette of face paint. Kina was among the first kids at her friend Niki’s birthday party, and the clown, sensing his moment, asked if she wanted her face painted. She wasted no time at all in accepting his offer and commissioning a unicorn.